{"id":2173,"date":"2015-11-25T10:48:37","date_gmt":"2015-11-25T15:48:37","guid":{"rendered":"http:\/\/www.philippelavalette.com\/en\/filmographie-documentaire\/"},"modified":"2023-06-29T10:03:13","modified_gmt":"2023-06-29T15:03:13","slug":"filmographie-documentaire","status":"publish","type":"page","link":"https:\/\/www.philippelavalette.com\/en\/filmographie-documentaire\/","title":{"rendered":"Documentary filmography"},"content":{"rendered":"

\"casque<\/a><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nTITLE<\/td>\n<\/td>\n\u00a0PRODUCTION<\/td>\n<\/tr>\n
<\/td>\nJohanne Harelle\u00a0<\/strong>Nadine Valcin<\/td>\n<\/td>\nSahkosh production (Ontario)<\/td>\n<\/tr>\n
<\/td>\nChip-Chip <\/strong>\u00a0Richard Desjardins<\/td>\n<\/td>\nRapide Blanc<\/td>\n<\/tr>\n
<\/td>\nAupaluk<\/strong>\u00a0Ole Gjerstad<\/td>\n<\/td>\nPro. Pascal Blais<\/td>\n<\/tr>\n
<\/td>\n\u00a0Le silence<\/strong>\u00a0 Ren\u00e9e Blanchar<\/td>\n<\/td>\n\u00a0\u00c7a tourne productions (N-B)<\/td>\n<\/tr>\n
<\/td>\nAu lendemain de l’Odyss\u00e9e<\/strong>\u00a0 Helen Doyle<\/td>\n<\/td>\n\u00a0Tatous de la m\u00e9moire<\/td>\n<\/tr>\n
<\/td>\nIn your face\u00a0<\/strong>Josh Freed<\/td>\n<\/td>\nJosh freed Productions<\/td>\n<\/tr>\n
<\/td>\nP\u00f4le sud <\/strong>\u00a0Mathieu Vachon<\/td>\n<\/td>\nToast<\/td>\n<\/tr>\n
<\/td>\nCarr\u00e9 St Louis <\/strong>\u00a0H\u00e9l\u00e8ne Choquette<\/td>\n<\/td>\nToast<\/td>\n<\/tr>\n
<\/td>\nKanata <\/strong>\u00a0H\u00e9l\u00e8ne Choquette<\/td>\n<\/td>\nEMA films<\/td>\n<\/tr>\n
<\/td>\nBIH\u00a0<\/strong>(built Inuit Homeland)\u00a0 Ole Gjerstad<\/td>\n<\/td>\nProd.Pascal Blais<\/td>\n<\/tr>\n
<\/td>\nThe memory mirage<\/strong>\u00a0 Josh Freed<\/td>\n<\/td>\nJosh Freed productions<\/td>\n<\/tr>\n
<\/td>\n\u00a0Fran\u00e7ois Morelli, artiste <\/strong>\u00a0Suzanne Guy<\/td>\n<\/td>\nProductions de M\u00e9vius<\/td>\n<\/tr>\n
<\/td>\nNos hommes de l’ouest<\/strong>\u00a0 \u00a0Ren\u00e9e Blanchar<\/td>\n\u00a0<\/span><\/td>\n\u00c7a tourne Productions (NB)<\/td>\n<\/tr>\n
<\/td>\nThe end of the line <\/strong><\/strong>\u00a0Josh Freed<\/td>\n<\/td>\n\u00a0Josh freed productions<\/span><\/td>\n<\/tr>\n
<\/td>\nMommy, le film <\/strong><\/strong>\u00a0Tessa Salom\u00e9<\/td>\n<\/td>\nFolamour (Paris)<\/span><\/td>\n<\/tr>\n
<\/td>\nMatawinie, la rencontre des eaux <\/strong><\/strong>\u00a0Andr\u00e9 Gladu<\/td>\n<\/td>\nCPVL<\/span><\/td>\n<\/tr>\n
<\/td>\n\u00c0 la poursuite de \u00a0la paix<\/a><\/span> \u00a0Garry Beitel<\/td>\n<\/td>\n\u00a0ReFrame films<\/span><\/td>\n<\/tr>\n
<\/td>\nBoijmans <\/strong>\u00a0\u00c9douard Lock<\/td>\n<\/td>\nMus\u00e9e Boijmans ( Rotterdam)\u00a0<\/span><\/td>\n<\/tr>\n
<\/td>\nSo you can stand <\/strong>\u00a0Ole Gjerstad<\/td>\n<\/td>\n\u00a0Prod.Pascal Blais (Bernard Lajoie)<\/span><\/td>\n<\/tr>\n
<\/td>\nContr\u00f4les a\u00e9riens <\/strong>\u00a0Jon Kalina<\/td>\n<\/td>\nId\u00e9acom (Montr\u00e9al) Point du jour (Paris)<\/span><\/td>\n<\/tr>\n
<\/td>\nTintin au Qu\u00e9bec <\/strong>\u00a0J-P Duval<\/span><\/td>\n<\/td>\nEchom\u00e9dias<\/span><\/td>\n<\/tr>\n
<\/td>\nThe spirit of Hannah Arendt <\/strong>\u00a0Ada Ushpiz<\/td>\n<\/td>\nIntuitive films<\/span><\/td>\n<\/tr>\n
<\/td>\nPolitique et religion, la droite canadienne<\/a><\/span>\u00a0 Jon Kalina<\/td>\n<\/td>\nInformaction<\/span><\/td>\n<\/tr>\n
<\/td>\nLe chant du Monde <\/strong>\u00a0Andr\u00e9 Gladu<\/td>\n<\/td>\nCPVL<\/span><\/td>\n<\/tr>\n
<\/td>\n\u00c0 tout hasard<\/a><\/span> \u00a0Suzanne Guy (series on public art)<\/td>\n<\/td>\nPVP (Productions Vic Pelletier)<\/span><\/td>\n<\/tr>\n
<\/td>\nLe galet r\u00e9calcitrant <\/strong>\u00a0Dominique Parent<\/td>\n<\/td>\nUrbi et orbi<\/span><\/td>\n<\/tr>\n
<\/td>\nCitizen or stranger<\/strong>\u00a0 Jon Kalina<\/td>\n<\/td>\nIntuitive films<\/span><\/td>\n<\/tr>\n
<\/td>\nAlph\u00e9e des \u00e9toiles\u00a0<\/a><\/span>\u00a0 Hugo Latulippe<\/td>\n<\/td>\nfilms Esperamos<\/span><\/td>\n<\/tr>\n
<\/td>\nVus par hasard<\/strong> (series on public art)\u00a0 Suzanne Guy<\/td>\n<\/td>\nDoc films<\/span><\/td>\n<\/tr>\n
<\/td>\nOn ne mourra pas d’en parler<\/a><\/span>\u00a0 \u00a0 Violette Daneau<\/td>\n<\/td>\nRapide blanc<\/span><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nWar is not a game<\/a> <\/span>\u00a0<\/strong>\u00a0Lode Desmet<\/td>\n<\/td>\nSimple Production (Belgique) \/ Cine Qua Non Media\/ONF<\/span><\/td>\n<\/tr>\n
<\/td>\nLes liens du sang <\/strong>\u00a0Dominique Parent<\/td>\n<\/td>\nFairplay<\/span><\/td>\n<\/tr>\n
<\/td>\nL’est pour toujours<\/a> <\/span>\u00a0 Carole Lagani\u00e8re<\/td>\n<\/td>\nInformaction (Ian Oliveiri)<\/span><\/td>\n<\/tr>\n
<\/td>\nKarsh is history<\/strong>\u00a0 Joseph Hillel<\/td>\n<\/td>\nGrand Nord (Ian Mac Laren)<\/span><\/td>\n<\/tr>\n
<\/td>\nPis nous autres dans tout \u00e7a?<\/strong>\u00a0 \u00a0Andr\u00e9anne Germain<\/td>\n<\/td>\nONF Toronto<\/span><\/td>\n<\/tr>\n
<\/td>\n360 degr\u00e9s <\/strong>\u00a0 Caroline Monnet<\/td>\n<\/td>\nONF Toronto<\/span><\/td>\n<\/tr>\n
<\/td>\nMarrons <\/strong>\u00a0Andr\u00e9 Gladu<\/span><\/td>\n<\/td>\nONF<\/span><\/td>\n<\/tr>\n
<\/td>\nMon parc, mes plaines<\/strong>\u00a0 Carole Lagani\u00e8re<\/td>\n<\/td>\nONF Toronto<\/span><\/td>\n<\/tr>\n
<\/td>\nParc Lafontaine, petite musique urbaine<\/strong>\u00a0 \u00a0Carole Lagani\u00e8re<\/td>\n<\/td>\nInformaction (Nathalie Barton)<\/span><\/td>\n<\/tr>\n
<\/td>\nLe magicien de Kaboul<\/strong>\u00a0 \u00a0Philippe Baylaucq<\/td>\n<\/td>\nInformaction<\/span><\/td>\n<\/tr>\n
<\/td>\nLes r\u00e9fugi\u00e9s de la plan\u00e8te bleue<\/strong>
\nJean-Philippe Duval and H\u00e9l\u00e8ne Choquette<\/td>\n		<\/td>\nVirage (Monique Simard)<\/span><\/td>\n<\/tr>\n
<\/td>\nLe deuil de la violence<\/strong>\u00a0 \u00a0Olivier Lassu<\/td>\n<\/td>\nAmpersand (Paris) \/ Informaction (Nathalie Barton)<\/span><\/td>\n<\/tr>\n
<\/td>\nR\u00eave \u00e9veill\u00e9 \u00e0 J\u00e9rusalem<\/a><\/span>\u00a0 Patrick Bokanowski<\/td>\n<\/td>\nKira films<\/span><\/td>\n<\/tr>\n
<\/td>\nVues de l’est<\/a><\/span>\u00a0 \u00a0Carole Lagani\u00e8re<\/td>\n<\/td>\nInformaction (Nathalie Barton)<\/span><\/td>\n<\/tr>\n
<\/td>\nDe m\u00e9moire de chats : les ruelles<\/a> <\/span>\u00a0 Manon Barbeau<\/td>\n<\/td>\nInformaction (Nathalie Barton)<\/td>\n<\/tr>\n
<\/td>\nLa griffe magique<\/a><\/span>\u00a0 \u00a0Carlos Ferrand<\/td>\n<\/td>\nInformaction (Nathalie Barton)<\/td>\n<\/tr>\n
<\/td>\nLes messagers <\/strong>\u00a0 Helen Doyle<\/td>\n<\/td>\nInformaction (Nathalie Barton)<\/td>\n<\/tr>\n
<\/td>\nCeci n’est pas Einstein<\/a><\/span>\u00a0 Catherine Fol<\/td>\n<\/td>\nONF<\/td>\n<\/tr>\n
<\/td>\nHypnose<\/strong>\u00a0 Denis Blaqui\u00e8re<\/td>\n<\/td>\nPixcom (Montr\u00e9al)<\/td>\n<\/tr>\n
<\/td>\nConteur d’\u00e9toiles – Hubert Reeves<\/a> <\/span>\u00a0 Yolande Cadrin- Rossignol<\/td>\n<\/td>\nONF<\/td>\n<\/tr>\n
<\/td>\nQuelques raisons d’esp\u00e9rer<\/a><\/span>\u00a0 \u00a0Fernand Dansereau<\/td>\n<\/td>\nONF<\/td>\n<\/tr>\n
<\/td>\nLe printemps<\/strong>\u00a0 Bernar H\u00e9bert<\/td>\n<\/td>\nCin\u00e9 Qua Non (Michel Ouellette)<\/td>\n<\/tr>\n
<\/td>\nC’est comme \u00e7a<\/strong>\u00a0 \u00a0Nathalie Martin<\/td>\n<\/td>\nONF<\/td>\n<\/tr>\n
<\/td>\nBarbeau, libre comme l’art<\/a> <\/span>\u00a0Manon Barbeau<\/td>\n<\/td>\nInformaction \/ ONF<\/td>\n<\/tr>\n
<\/td>\nLe temps des barbares<\/strong>\u00a0 \u00a0Jean-Daniel Lafond<\/td>\n<\/td>\nAlter-cin\u00e9<\/td>\n<\/tr>\n
<\/td>\nVisionnaires<\/a> <\/span>\u00a0Carlos Ferrand<\/td>\n<\/td>\nInformaction<\/td>\n<\/tr>\n
<\/td>\nM\u00e9diterran\u00e9e Sempre<\/a><\/span>\u00a0 \u00a0Nicola Zavaglia<\/td>\n<\/td>\nONF<\/td>\n<\/tr>\n
<\/td>\nLes enfants des r\u00eaves de Nagano<\/strong>\u00a0 Bernar H\u00e9bert<\/td>\n<\/td>\nCin\u00e9 Qua Non<\/td>\n<\/tr>\n
<\/td>\nLe pont de l’exil<\/a><\/span>\u00a0 Jean-Pierre Gari\u00e9py<\/td>\n<\/td>\nONF<\/td>\n<\/tr>\n
<\/td>\nImpressions<\/strong>\u00a0 Bernar H\u00e9bert and Beno\u00eet Pilon<\/td>\n<\/td>\nCin\u00e9 Qua Non<\/td>\n<\/tr>\n
<\/td>\nLes enfants de Refus Global<\/a> <\/span>\u00a0 Manon Barbeau<\/td>\n<\/td>\nONF<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

R\u00c9ALISATION<\/span><\/h2>\n

M.Brault <\/strong>ou les mouvements de la vie \u00a0<\/a><\/span>\u00a0 by Philippe Lavalette \/ Abel films<\/p>\n

Chef Th\u00e9mis, cuisinier sans fronti\u00e8res<\/a>\u00a0 <\/strong><\/span>by Philippe Lavalette (Information)<\/p>\n

Un gamin de Paris<\/a><\/strong><\/span>\u00a0 by Philippe Lavalette \/ Abel Films<\/p>\n

R\u00eaver le Fran\u00e7ais<\/a> <\/strong><\/span>( Documentary trilogy)
\nby Jean-Michel Djian and Philippe Lavalette \/ Virage (Monique Simard) and Grenade (Paris)<\/p>\n

Sur les rives du Tapajos<\/strong>\u00a0 by Philippe Lavalette \/ Virage (Monique Simard)<\/p>\n

Tipolis <\/strong>by\u00a0Philippe Lavalette \/ Virage (Marcel Simard)<\/p>\n

La syntaxe du regard<\/strong>\u00a0 CNRS<\/p>\n

Les arpenteurs de Karnak<\/strong> CNRS<\/p>\n

Les \u00e9quipements de la solitude<\/strong> CNRS<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  TITLE \u00a0PRODUCTION Johanne Harelle\u00a0Nadine Valcin Sahkosh production (Ontario) Chip-Chip \u00a0Richard Desjardins Rapide Blanc Aupaluk\u00a0Ole Gjerstad Pro….<\/p>\n","protected":false},"author":3,"featured_media":3247,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"documentaire.php","meta":{"_mi_skip_tracking":false,"footnotes":""},"class_list":["post-2173","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.philippelavalette.com\/en\/wp-json\/wp\/v2\/pages\/2173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.philippelavalette.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.philippelavalette.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.philippelavalette.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.philippelavalette.com\/en\/wp-json\/wp\/v2\/comments?post=2173"}],"version-history":[{"count":89,"href":"https:\/\/www.philippelavalette.com\/en\/wp-json\/wp\/v2\/pages\/2173\/revisions"}],"predecessor-version":[{"id":3340,"href":"https:\/\/www.philippelavalette.com\/en\/wp-json\/wp\/v2\/pages\/2173\/revisions\/3340"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.philippelavalette.com\/en\/wp-json\/wp\/v2\/media\/3247"}],"wp:attachment":[{"href":"https:\/\/www.philippelavalette.com\/en\/wp-json\/wp\/v2\/media?parent=2173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}